Artistic Character and Techniques.
One of the important factors contributing to the evolution of the distinctive style of traditional Chinese painting has been the close relationship between the materials used and their influence on artistic forms and techniques. These show the significance of the meaning for the two terms pi brush and mo ink.
The brush techniques so much emphasized in Chinese painting include not only line drawing but also the stylized expressions of shade and texture cunfa and the dotting methods dianfa used mainly to differentiate trees and plants and also for simple embellishment.
The brush strokes give the painting rhythm and beauty and depict the subject's outward and inner qualities. At the same time, they reveal the individuality and style of the painter himself. Type of Painting Brushes: Brushes used for writing: Third, there is paper or silk.
Chinese painting may be done either on Chinese paper or silk. The original paper around AD. Modern paper is often machine made. It is classed in degrees of weight and amount of size used. The paper is very absorbent and the amount of size in it will dictate the quantity of ink used for strokes on the paper. Different paper produce different results; some are rough and absorb ink quickly like a sponge, others have a smooth surface which resists ink. Chinese paper is usually known as rice paper in English.
Chinese Silk Before painting on silk, the silk should be treated with alum and glue before use. Brushstroke is best shown on paper. Because of this reason and the paper's variety of texture and finish, paper quickly became favored by artists and calligraphers. Fourth, there are the colors. There are differences in the use of color between Chinese painting and modern western painting. Chinese painting aim is not to express the various shades of color of the subject in relation to a fixed source of light, but to express the characteristics of the different subjects.
For example, the adding of traces of brown or green to rocks, trees, leaves, grass and moss in a painting is used to reinforce the feeling of a particular season or state of the weather. Fifth, there are composition and space. Since the creative requirements of Chinese painting do not demand strict adherence to reality or to a particular angle of view or source of light, the painter has complete freedom in terms of artistic conception, structural composition and method of expression.
To give prominence to the main subject, it is quite permissible to omit the background entirely and simply leave it blank. At the same time, since the sizes and shapes of the spaces in the painting are different, the very absence of content can itself create rhythm and variety. Sometimes the variety and balance created in this way is further enriched by the addition of inscriptions in the empty space. In artistic conception and structural composition, most landscape paintings create the impression that the scene is viewed from high in the air, as if seen through the eyes of a bird.
With flower-and-bird paintings, sometimes a single flower hangs as if suspended in space, or the flowers and plants of different seasons appear together.
The laws of these things must come second to the requirements of artistic creation and should not become shackles that bind artistic expression. Visit our other website: Neither complexity in itself nor simplicity is enough.
Some aim to be deft, others to be laboriously careful. For your first time, it will be better to practice on paper until you get the hang of brush painting.
These show the significance of the meaning for the two terms pi brush and mo ink. Of the Yang of Heaven and the Spirit Water with no indication of its source The element regarded as a source of life and associated with the Yin. Seeker7 - thanks so much for reading my hub. Hua Niao or a combination of flowers and birds. The brush techniques so much emphasized in Chinese painting include not only line drawing but also the stylized expressions of shade and texture cunfa and the dotting methods dianfa used mainly to differentiate trees and plants and also for simple embellishment. You must learn first to observe the rules faithfully; afterwards, modify them according to your intelligence and capacity.
To make the ink, grind some of the ink cake in to the ink stone with a little bit of water. The amount of water varies depending on the consistency of the ink that you want. Thick ink will appear glossy and deep on your paper. Thin ink made with more water will be more lively. Keep in mind that brush painting is symbolic rather than just recording an image.
Remember to make bold strokes - if you go too slow, the ink will bleed, but going too fast may result in mistakes. Find a speed with which to paint that is somewhere in the middle. Change up the width of the stroke by slanting the brush to the side, or holding it completely horizontally to the paper. You can use thinner and smaller brushes for details, and thicker and bigger brushes for petals. Not Helpful 0 Helpful 5. Of course you're welcome to try, but to get the desired effect it may just be easier to get a proper brush and supplies.
Not Helpful 0 Helpful 1. Can I use hot pressed watercolor paper for Chinese brush painting? Answer this question Flag as In addition to the two styles of painting, are there any others? Include your email address to get a message when this question is answered. Already answered Not a question Bad question Other.
Did you try these steps? Upload a picture for other readers to see. Tell us more about it? Click here to share your story.